
Citing Wikipedia, "
Modern Guilt is the eighth studio album by American musician Beck. It was released on July 8, 2008. The album entered the Billboard 200 at number four, and gave Beck his first ever Top 10 placing on the UK Albums Chart, peaking at number nine. The album has also been Beck's best charting album in Australia, reaching 13. It sold 84,000 copies in it's first week.
The album received generally positive reviews upon release, earning a rating of 77 out of 100 on
Metacritic. Filter said of the album "Beck is somehow more aware while puffing out his waves of broken poetry as opposed to the casual seed-spitting he has been known to turn to," and All Music Guide said that it was "an effective dosage of 21st century paranoia." Some negative reviews, such as Popmatters, said that the album "lacks the unique resonating timbres one is accustomed to with Beck," and The Guardian called it "a vanity project".
Modern Guilt features two contributions by Cat Power and is produced by Beck and Danger Mouse."
Check out this
Madrid gig review one day prior to the official album release. Here's some cool lyrics hints I came upon while browsing through the album comments at rateyourmusic.com:
"Beck is feeling tired and a little scared. "Gamma Ray" reveals a world with a deteriorating environment, along with a revered nod to Howlin' Wolf's most famous song (Smokestack Lightning). The sudden ending symbolizes Earth's potential fate. Things aren't much better on the governmental front, as suppression and conspiracy are brought to light. Even the title, "Chemtrails", refers to an urban myth that the trails one sees from the back of a jet are laced with governmental mind control chemicals. Beck feels helpless to make the world a better place, and is guilty about that ("Modern Guilt"). Danger Mouse's simple, but compelling beats serve as a musical metaphor for the constant nagging of this guilt. I'm not sure exactly how "Youthless" fits into the whole picture, but it does contain the fascinating line, "THERE’S A MILLION HORSES DRAGGING DOWN A MONOLITH". Maybe we can still pull together to get things done? A brief moment of optimism? If so, it doesn't last long as Beck remains so worried that he fantasizes in "Replica" about how nice it would be to send a replica out to deal with the world and all it's issues while he remains a shut-in (Shades of the themes in 1998's Mutations). The music in "Replica" is arranged in an interesting, modern update of Beatle-like instrumentation (around the 2:00 mark). While "Walls" is the catchiest tune, "Replica" is the most compelling. If we could create a replica then what of the "Soul of Man"? If we are uncertain about our soul, do we feel sincere or silly or guilty when we pray? ("Profanity Prayers").
Listen to the words, and the musical accompaniment fits well. Otherwise, you get reviews about the dullness or average results of the record." (walterx)
If you'd like to follow the lyrics, click
here.